Fiction
Deep as the Sky, Red as the Sea, May 2023
“Walking the Dead,” One Story, March 2023
“The Miracle Girl,” The Best American Short Stories 2021
“My Father, the Morning Star,” Midnight Breakfast, Fall 2021
“Ebbing’s Cursed Toccata,” McSweeney’s Quarterly Concern, Spring 2021
“The Bad Kind of Puppy,” The Rumpus, October 2020
“The Miracle Girl,” Virginia Quarterly Review, Summer 2020
“This Infernal Machine,” Santa Monica Review, Spring 2020
“The Last to Die,” Clarkesworld, January 2020
“Saving the Monster of Kowloon,” Conjunctions, Spring 2019
“Chinese Girls Don’t Have Fairy Tales,” McSweeney’s Quarterly Concern, Spring 2018
“Dignity,” Kenyon Review Online, Winter 2013
“The Vestige,” Calyx, Summer 2012
Other
“Folk Religion Isn’t Backward, But I Walked Backward Into It,” Electric Literature, June 20, 2023
“How to Write a Fight Scene,” Lit Hub, May 17, 2023
“You Can’t Be Pro-Establishment and Punk Rock: The Upending of the Model Minority Myth in Mike Chen’s Vampire Weekend,” Tor.com, February 15, 2023
“Arrivals and Departures,” Alta, August 5, 2022
“The Unsympathetic Characters of Elfriede Jelinek’s The Piano Teacher,” Pleiades, Summer 2020
Awards and Conferences
Scholarship recipient, Bread Loaf Writers’ Workshop 2021
Emily Clark Balch Award in Fiction, 2021
Fellow, Martha Heasley Cox Center for Steinbeck Studies, 2020-2021
Finalist, AWP Kurt Brown Prize in Fiction 2020
Fellow, The Writers Grotto, 2019-2020
Rona Jaffe/VSC Fellow, Vermont Studio Center, June 2019
I cannot keep laying brick by brick in the hopes that I have enough time to build a whole wall